Maria zart _ the Song, Obrecht’s mass, and the Basel connection. Dimensions of Style, Context, and Performance

9:00 Opening notes
Martin Kirnbauer (SCB)

9:15 A memorable song and the cosmos of its settings: Composing and performing a cantus firmus
Birgit Lodes (Wien), Fabrice Fitch (Glasgow)

10:15 Coffee break / Kaffeepause

10:45 The Maximilian/Constance and the Basel connection: Two hypotheses
Birgit Lodes (Wien), Grantley McDonald (Wien)

11:45 Choirbook versus partbooks: Pros and cons for the performance
Stratton Bull, Marc Busnel, Peter de Laurentiis (Cappella Pratensis)

13:00 End

With sound examples, sung by students of the Schola Cantorum Basiliensis and members of Cappella Pratensis